The First (Reprise)

the first from the frog pond

steal the last of the sunlight,

leaving charcoaled

fishbones of cloud.

in various shades of opened

or shut, these dandelions

we step on retreat

into the solitude of moonlight.


DANIEL J FLOSI sometimes thinks they are an apparition living in a half-acre coffin within the V of the Mississippi and Rock Rivers. They are a poetry reader at Five South. Their work has appeared or is forthcoming in Not Deer Magazine, The Closed Eye Open, The Good Life Review, Zero Readers and Wild Roof Journal. Drop a line on Twitter: @muckermaffic.

Bull Thistles


STEVEN O. YOUNG JR. lives on the rim of Detroit, where he received an MA from Oakland University. He spends some days painting the floor of a soundstage layer after layer, occasionally by request. His works have appeared and/or are forthcoming at Freeze Frame Fiction, 101 Words, The Drabble, and West Trade Review.

Wonderland (Other Seasons)


EDWARD LEE is an artist and writer from Ireland. His paintings and photography have been exhibited widely, while his poetry, short stories, non-fiction have been published in magazines in Ireland, England and America, including The Stinging Fly, Skylight 47, Acumen and Smiths Knoll. He is currently working on two photography collections: ‘Lying Down With The Dead’ and ‘There Is A Beauty In Broken Things.’ He also makes musical noise under the names Ayahuasca Collective, Orson Carroll, Lego Figures Fighting, and Pale Blond Boy. His blog/website can be found at https://edwardmlee.wordpress.com

Editor’s Note

Dear reader,

I often feel as though I am becoming a keyhole: the interstice of encounters and trespasses, inspecting, alert. A few days ago, on Hay Beach at Shelter Island, I stepped into the water for the first time. I had no expectations, only uncertainties; I have walked along beaches or seen them from afar. I think I’ve even been in love with water, or at least rapturously fascinated by it before even knowing it, touching it. But my body has been losing itself for some time— starving, refusing to bleed every month. In the water, however, I felt it hold its own for the first time. In the wide expanse of the water— the estranging, insupportable, unsustainable, transcending, intimidating, permeable, rhythmic element that it is— I felt the singularity of being witness for the first time. Small fishes floated around, seaweed wallowed against my ankles. Rocks and pebbles rubbed my feet. I did not experience loneliness, abandonment, anonymity or illegibility. It was the state of being a witness, and in freedom.

I’m thinking of the small life of this issue: from the time we launched our submissions period to this very day. Our editors, contributors and submitters from across the world have undergone tumultuous inner journeys. I must admit that during the worst moments of the past few months, shrouded and dead, I questioned why we publish this magazine, why people choose to write and submit to us. In hindsight, I think the presence of art and writing occupies a space like the sea: a necessary other, something to help us hold our own, transcendent but unreliable, unsustainable. “Pain is only pain with a name,” writes Kinshuk Gupta in his poem, ‘Case History of Pain.’ Perhaps that is the best way to put the experience of the past few months.

Publishing this issue, at least for me, doesn’t come without the guilt and grief of the past few months. Having something to do when the world is gathering losses is a preoccupation that wounds as much as it supports. Your works, dear contributors and readers, presented us with that challenge and allowed us to witness the world through your eyes, made us feel immersed in your language. From the 472 submissions we received, these are the nine works of writing that helped us survive, weather, hold on. That is a rare gift. As I am writing this, I am thinking of survival even in the presence of lack, in the absence of desire. Reading this issue, I am grateful for the hard work and hours put in by the editorial team, including several new staff members, and your trust in us. We hope you witness with us, beside us. Thank you so much. So much for standing, kneeling, holding on to something so we can learn to see, touch, emerge, love, desire and survive again.

Sincerely,

Devanshi Khetarpal

Editor-in-Chief and Founder

Inklette Magazine

The Couple on the cliff, or, The Last Story

William Kitcher and

Nick ran along the windy trail, looking behind him. “Come on! Come on!”

Unsure of hearing any response, he continued down the trail to the cliff. Thunder roared, and he thought he heard a gunshot. He reached the cliff and turned around again. “Come on! Come on!”

Staggering down the trail came Caroline, her coat torn and flapping in the wind, blood running down her face.

Nick waved and she saw him. They ran along the edge of the cliff until they found a bite taken out of it, and they began to descend the cliff face. Grabbing hold of rocks as well as they could, they went down, finally reaching a small ledge. Looking about them, there seemed to be no escape.

“Are you kidding me?” said Nick.

There was no response except for the howling wind and the crashing surf below.

“Are you kidding me?!!!” he cried again.

There was no human response.

Nick looked up. “Hey you, the guy writing this!”

“Me?” I said.

“Yes, you, you idiot. How do you plan to get us out of this? We’re going down a cliff face. And there’s no way out. What happens now?”

I felt slightly embarrassed. “I hadn’t really thought that far ahead, to be honest.”

Nick looked at Caroline and then back at me. “You mean you don’t know what happens next?”

“No, sorry.”

Caroline sighed with frustration. “Jeez, man, my head’s bleeding, and it’s damn cold out here, especially with a torn coat. Why is my head bleeding anyway?”

“I don’t know. I thought I’d come back to that.”

“And the gunshot?” asked Nick. “What was that about?”

“I thought I’d come back to that too…” I trailed off.

“Wow, you’re so disorganized.”

“I figured that if I couldn’t use it, I’d just go back and take it out.”

“You’re hopeless.”

I was offended now. “It’s called spontaneity.”

“It’s called logorrhea,” said Caroline, unkindly.

I had no response to that, not knowing what “logorrhea” meant. The wind whipped around their bodies as they huddled together.

“Would you please cut out the sound effects?”

The wind subsided.

“‘Subsided’, really? You couldn’t have just said ‘stopped’. Did you even have to say anything?”

“Well, I…,” and that’s as far as I could get, having no more to say.

“Is this how you always write, just start to write something with no idea what’s going to happen next?”

“Well,” I stammered. “I’m sure by the time I get to the end of this, it’ll look like I knew what I was doing all along. Sometimes I write like this. Sometimes I first know what happens in the middle. Sometimes I know the ending first. Have you read my story ‘The Dawn’? In that one, I knew how it ended and I—”

“No, I haven’t read any of your stories! We’re fictional characters! And by the way, what’s with our names? Why did you name us after your niece and her husband?”

“Well, I needed to call you something— hey, wait a minute. How do you know I named you after my niece and her husband?”

That stumped them, as I didn’t know how they would know that. They said nothing and, because of that, I had nothing to say back to them.

We were stuck in a loop and I was unsure what was happening. Was I writing them? Were they writing themselves? Perhaps even only occasionally? Were they writing me? No, that seemed unlikely. And yet…

The three of us looked at each other for quite some time, perhaps weeks, I don’t remember.

No, it was only a couple of minutes. Which has now stretched into several minutes. And I made myself a cup of tea. And went outside for a smoke. And had a nap.

And I had my answer.

“Well, what are you going to do? Hmmm? What’s going on now?”

I remained silent, just to piss them off.

“Oh really. You’re just going to leave it up to us. You prick. OK. What happens if we go back up?”

“Guys with guns.”

“OK. Can we fly?”

“No.”

“What’s at the bottom of the cliff?”

“What do you want there to be at the bottom of the cliff?”

“A nice comfy airbag?”

“No.”

“How about just water and no rocks?”

“OK.”

Nick and Caroline launched themselves into the ocean, and began swimming.

* * *

The tea had become cold in the half-empty cup on the desk. The three people looked at the man slumped over his typewriter. The grandfather clock ticked morosely.

“No, officer, he was dead when we got here.”

The cop looked at the young couple. “Why are you two wet?”


BILL‘s stories have been published in America, Bosnia and Herzegovina, Canada, Eire, Great Britain, Holland, and India. He hopes to be published in Denmark and France, so that he has the first part of the alphabet covered.

Things No One Knows

LAGNAJITA MUKHOPADHYAY

after Wanda Coleman

overcome by the stink of mildewed water in the sink from another dead thing i cannot bear to compost, i have been out of place for seventeen years / my countrymen do not love me / like no place even exists as loud dissonance / we are getting by in a city where more homes are built at the same rate as more people lose theirs / i have less spare time and i spend it flicking flies like thoughts / and wondering where to park in the cemetery / and forgetting how to talk.

burdened by the cuttings you left, they each die one by one / i cannot tend to them / others are still growing when you have stopped / my smell has worn off months ago and i have no desire to water myself / do i like you or your smell / my clothes are the same size as they always were, some worn more than others / once you see yourself, you can’t go back / it’s not about being sure / but about losing all my money to someone who was supposed to share.

i do not care if those plants live or die / i walk and the leaves walk with me too, scratching the concrete / the wind pushes them from the tree / water rising through the trunk / the ascent of sap if all you want is glittering enough to obscure the dirt underneath / we did not survive this together / no one will / these roads are a life sentence / my movement funds the bombs being dropped on people that look like me / my freedom pays for itself in the forced migration of others.

i planted a mango in a tire tread / it was the only place that would not get mowed over / i want to go home / if i could go back in time, i would / i get an evil pleasure from the storm, to know you cannot be outside / to know that i do not have to see you / to want that in the face of power lines down and trees smashed into houses / everything you have planted has led to death / the water fountains were all shut off and the sinks too shallow / nothing is for free but disowned or sold

like mealybugs


LAGNAJITA MUKHOPADHYAY is the author of the books this is our war (Penmanship Press, Brooklyn, 2016) and everything is always leaving (M.C. Sarkar & Sons, Kolkata, 2019), along with her latest poetry album release i don’t know anyone here in 2020. An Indian-born poet raised in Nashville, she is a recent graduate of English at Belmont University. She was the first Nashville Youth Poet Laureate and a finalist for the first National Youth Poet Laureate. Find her work in Poetry Society of America, Nashville Arts Magazine, and Connecticut River Review, among others. As a recent Pushcart Prize nominee, she is epic poem collage stranger and break-up with America tour—on self-imposed exile from New Nashville; she doesn’t know anyone here.

Life Changes in an Instant

PRIYANKA CHAKRABARTY

On 6th June 2015 I came to Bangalore. On 10th June 2015 M and I sat in the same classroom for the first time. On 23rd November 2019 afternoon with a little help from M I confirmed I am queer. On 23rd November 2020 we met for lunch and talked about her impending marriage while the sun burnt bright. Perhaps the brightness stopped her from looking into my eyes when she said how much she loves him and how great it feels, this socially sanctioned love business. The café caramel sundae is an ice cream that I blame for inducing queerness in my veins. It is the coffee, yes the deep dark rich coffee which makes me feel heady and wants to live a little more than I have been made to believe I am allowed. That ice cream tastes of liberation with the roasted cashews which I tasted on your tongue. Since then I have always spared some an extra moment of thought because when I taste those cashews I taste you, I taste that afternoon, the afternoon of my queerness and your continuous denial of it.

M, have you ever stood under the bright scorching sun for a very long time? The same kind I stood under when I waited for you outside Coconut Grove holding the chocolate coated biscuits wrapped in golden paper just for you. Standing in the bright sun for a really long time makes your vision momentarily blurred when you walk indoors. Blurred patches of black, red and purple swirl in front of my eyes as I wondered if it was going to be an afternoon of blurred lines. The drinks made us tipsy and our hands accidentally touched while we searched for poetry among the bookshelves of Blossoms. We kept chancing upon the same books, wanting to read the same blurb at the same time. I wanted to hurl myself miles away but stayed rooted to the ground.

Later in the evening we sat under bright yellow lights. I had just tasted the bitterness of the coffee at the back of your tongue. You took pictures of me because the light deepened the brown of my eyes. But you didn’t meet my eyes; I guess lasting eye contact was not for phases. You asked “How are you feeling?” I said, very asexual, still asexual. Once again you asked me to just wait for the right person to come along. Oh M, the right and the wrong people had come and gone. But my heart, oh my heart, stayed frozen, denied to beat while I stewed under your simmering gaze and lingering touch. I had wanted for my heart to skip a beat, feel breathless and goosebumps. I had none. I could be buying vegetables, making my bed, chatting with the sales man or having sex; it was all the same for me. The same when I kissed M, D who came before M and ABCs that have come after. It’s all the same, it always been the same. I had exhausted my explanations. M, your continuous denial was the force that pushed me to continuously accept. That evenings and, many evenings after that when we hurriedly dressed ourselves because your roommate could knock at any moment, I said out loud I am asexual. You gave me a long look and excused yourself.

We left when the sun had set. I reached for your hand, one last time. You gripped it tightly. We walked till the parking lot in silence. I wanted to look at you but it was sufficiently dark and our eyes couldn’t meet. You asked me one last time, are you okay? I said, “Yeah sure! Enjoy the biscuits; hopefully the chocolate has not all melted due to the heat”.

****

In 2015 I came to Bangalore. I finally had a home of my choosing. I knew no one in the city and prized my anonymity of just existing without scrutiny. Bangalore came with its canopied roads starching far off into the distance. I got what I had always wanted, hoped and prayed for- a clean slate, a fresh start. I was Priyanka and for the first time I could be who I wanted to be. The possibilities were endless and then I was hit by my queerness and M’s continuous reminder that it was just a phase.

Now, when I walk down the same long winding partially canopied roads, there is a cacophony of, “You are queer” on loop. Moments like these, my barely held together self is in grave danger of scattering on the roads. In an odd way, the city is reflects my interiority; while I am perilously close to spilling over, the city is already spilling over in every direction. My home in Jayanagar and some ruins in MG Road next to a sparkling Starbucks gives an inkling of the city I glimpsed when I occasionally visited, before finally settling down in this city. But it was quickly demolished. Concrete hurriedly pored over and the old parts kept getting replaced with new, shiny and gleaming parts. This city doesn’t know what was supposed to be and why does that resonate?

Enlarged, well lit closets often create the mirage of freedom. I am sitting in a locked room staring at the door. Taking in the stunned silence, the smallness of my metaphorical closet starts to close in on me. I share a poem on my instagram stories which goes as End of love should be big event/It should involve hiring a hall. M responds to that message; just want to let you know I wouldn’t ever stop loving you. I respond, I know that and I believe you. There is a cruel charm to this story; I shudder at what would have happened if the afternoon of 23rd November 2019 had turned out differently. Would I have continued the lead the straightjacketed life? Every time I think of kissing the razor blade of your collarbones I remind myself, the ones that entice also leave with a warm gush of blood.

***

M, it is grossly unfair and unjust, to leave me drowning in the sludge of queerness. I know you have said your apologies and I said it’s alright. You tinged me with queerness and I accepted it ; every time I reach for my favourite ice cream to drown the weight of living you are there in every bite, that afternoon is there in every bite. How much of what I love do I have to give up, to forget?

The fag end of Sunday and I am standing on the highway staring at the sky watching shadow of the half-moon peeping out. The sky is a sharp blue preparing for sunset. Slowly the sky swirls into an innocent yellow which has lost its capacity to scorch and burn. The yellow merges into the lovechild of orange and pink. My sister picks up the phone to capture the sunset. The dark green of the trees became black silhouettes on the screen against the setting sun, quietly shadowing the sky willing to lose its colour for a while. I lower the car window and let the wind smack against my face. The lingering winter chill reminds me of swiftly changing seasons. The queerness runs in my veins and the shadows of cost linger while the sky turns a pitch black.

Joan Didion, in The Year of Magical Thinking wrote Life changes fast/Life changes in the instant/ You sit down to dinner and life as you know it ends. I sat down to café caramel sundae and life as I knew it changed. My life was suddenly marked by absence. The presence of queerness marked the absence of M. The presence of asexuality marked the absence of sexual desire. My absences were also my certainties. Life changed fast. I had a closet to maintain, identities to explore and reassess the business of living and loving. I spent many nights wishing queerness was a piece of clothing that I could wear when I wished and folded away neatly in the closet hidden from plain view. But queerness was my skin; sewn into the very fabric who I was and with options to peel it away like paper. My body is the only body I will ever inhabit and it is queer. I am queer.


PRIYANKA is a law student living in Bangalore. An ardent reader of prose and poetry, she has keen interest in social justice and human rights movement. She is a queer person and aspires to be a human rights lawyer.