Lonely Laundry Boy

Open the door. Halfway in, always halfway in. A full cup right? Right. Normal. No, not warm. Cold will be too cold. Cool it is then. Extra Rinse? Extra Rinse. Close door. Locked. Fill. Perfect. The lock clicked and the machine turned. I quickly opened the round black lid and put my bum in first, then shoved the rest of my body in. My neck creaked as it adjusted to the embossed cylinder. I held my breath as though it would make my body smaller. Even with my knees touching the tip of my nose, the door just barely closed. It had been a while since my last wash, the ick had become heavy on my skin. The drum twisted once, then twice trying to gauge the weight of the load— of me. My toes screamed in pain as they tried to anchor me through the intervaled spins. I sighed as the heaviness of the ick began to settle into the ridges of the drum. It had been a while since the ick had been this bad. With overeager people being overly friendly and constantly being called upon in class, the ick had managed to infiltrate my clothes and lodged itself in the small fibres around my joints. I hadn’t tried getting rid of it with this washer yet so we were really living life on the edge.

The hair on the back of my neck stood at attention as the water poured into the drum. Please work, fuck, please work this time. I had rigged the lock of the washer when I moved in. It would lock, unlock and instead of lock again, it would stay unlocked for a minute so that I could get inside, and then lock again. I didn’t expect facilities management to fix said lock because no one would use the washer but me, I made sure of that. Now that I think about it though, the Out of Order sign that took me a few minutes on Word and a handy dandy inkjet printer nearby might be something that could lead them on if they cared enough. The entire point of it was to figure out whether or not the rig had worked. I don’t really want to think about what would happen if it didn’t. The water wooshed into the drum and stopped right under my neck. The machine stopped for a moment, both drums stilled, and my heart dropped in my chest. My softening nails dug into my palm and my shoulders slumped. Great. I’d have to reposition the magnet, try a new rig or maybe a new machine even.

Just as I was about to push the door open, the soapy liquid flowed into the drum. The strong gush of water made the Mrs. Meyers Basil laundry detergent bubble on the surface. A heavy sigh left my clogged lungs. It used to make me gag, the foamy liquid, I mean. It’s like when you get shampoo in your eye and it stings. This wouldn’t sting though. Instead, it would sink into every crevice and scrub out the ick. The washer kept getting more and more cramped as my limbs grew longer but nothing worked as well. My eyes shut and my breath eased as the knots in my shoulder unwound.  Mam had been on my case a lot more this week, Da hadn’t been home for a few days. Things had got better between them once I’d left, but they still fought enough. The tension in her voice floated through the sound waves and settled in my bones. It’s not that she was a bad mother, it was more so that her tough love coupled with the unexpressed feelings was a little too tough at times. People around me didn’t get why I’d get angry. Matt didn’t get it either even though he tried to offer countless ways to talk about feelings. Boxes of Camels lay in my bin and my lungs hurt. I hated tobacco but it helped when my brain knotted together and fought with everything and everyone who cared.

The pressure of the water squeezed my lungs and the tobacco dripped out of them in globs. The ability to breathe without feeling any pain was magical. The back and forth of the washer made the thoughts in my head hit against my skull aggressively. They were trying to escape, they always did that. The small bump in my head had been a favourite spot of theirs but today they were hitting every surface they could. It was slightly abrasive and it felt like they were trying to achieve a goal— ridding themselves of sin and dirt by hitting against my skull again and again. It had been hot today, maybe I should’ve cared more about paying attention in class and being better but it didn’t matter when the sweat kept pooling under my clothes and clung onto each thread of my red shirt. Mam had also said something about being a good child, maybe even a better child, right before hanging up. But I wasn’t a good child, there was all this ick on me. After a few whiskeys, she always slurred at me about God, and sin, and the reward at the end of spiritualism that was only granted to the good souls. What the hell did good even mean? It was frustrating trying to figure it out but I trust the cycle knew the answer, it always did. I squeezed my eyes shut as this week’s ick eroded against my skull.

The dull gurgle of the valve opening made all the gunk drain out in a long whoosh. Instantly, the extra rinse kicked in. The water gushed out the valves and flowed through another, sloshing against me aggressively. With each flood of water, the sweat, not nice feelings, and anxiety kept being pulled out of the atoms. Clothes always came out looking happy after a wash, maybe this time I would too. It was almost time to leave the ridges that supported me and soaked up all the ick through the cleanse. Some gushes came in tidal waves, and despite me holding my breath, they made me splutter like a fish, before draining out. I had learned to hold my breath for those three minutes back in middle school. I was on the swim team and a few of us used to faff about and see who could be underwater the longest. Whoever won got a fiver at the end. The spinning kicked in the compressed drum and squeezed the broken bones and sore tendons together. They were crushing into each other, molding into one another wherever they fit with the magic that ran through the washer. The little jingle of the washing machine rang in my ears. Guess I was done for this week. I pushed the door open and dangled whatever bit of my body I could out the front, like a fortune cookie fold.

“You should wear running shorts,” came a voice from the far end of the room. I didn’t expect anyone to be here.

“Excuse me?” I craned my neck towards the voice holding onto the cold comfort of the steel.

“You’re wearing jeans, jeans get really heavy in the wash. Aren’t you uncomfortable?” She turned back towards her basket and kept putting things into the drum.

 It was almost three in the morning, why was this girl in polka dot pajamas doing laundry right now? The only reason I came down at this time was because no one used the machines at this time so it was easy to carry out my compulsions. Ah, I see, she’s here because it is three in the morning and no one would be using the machines. She had a point though, why had I been wearing jeans for so long? It made sense to wear something that was lighter and wouldn’t absorb as much water. Truth be told, wet and rough denim had always been a little bit of a pain.

“I never thought of that before.” I picked at a loose thread on the denim.

“Exactly. So wear running shorts next time.” She hummed to herself and threw in the Tide pods.

“You’re right, running shorts would dry quicker.”

“And they wouldn’t chafe either.” I couldn’t help but agree with that. The chafing was always bad after a particularly rough spin.

I nodded at her and made my way out of the washer. My spine cracked in relief once my feet were firmly on the white tiled floor. If it weren’t for the humming of the radiator, she would have been able to hear just how old I felt. I attempted to say goodbye, I wanted to know her name but her back was still to me. So I just left. My legs felt heavier now that I was actually paying attention to the denim. I was surprisingly not dripping all over the place but I guess that’s why washers spin at the end for a while. I got back to my dorm and lay on the floor. The stale smell of the heating overpowered the gentleness of the Basil that, moments ago, flooded my senses. I had mopped that morning so the floor wasn’t as disgusting as usual. The beige linoleum was cold though. The wet clothes pressed against my cool, damp skin and made me feel cold. Maybe the temperature would help keep the other shit away. I could feel my eyelids struggling to stay open. Just a few more minutes, I didn’t want to go to sleep just yet because then I’d have to wake up and do tomorrow. The denim remained moist and all I could think was yeah, running shorts next time.


JUSTINE ANTHONY is a simple human trying to get by in the universe concentrating in classics and creative writing at Sarah Lawrence College. Some day she hopes to find the perfect laundry detergent and fabric softener combination and spread the word far and wide. Until then, she is content learning dead languages and cooking tofu.

Cross-Country

“…hello?”

          “Yeah, can I talk to, uh, Ben?”

            “Hi, yeah—this is Ben.”

            “Okay, it’s just… I kind of thought you’d be here tonight. You know, celebrating a little.”

            “Sorry, who is this?

            “Uh, Theo? We’re in homeroom together? Or, I guess, we WERE in homeroom together.”

            “Okay…”

            “Oh, you know; tall guy, devastatingly handsome, has a purple streak—”

            “Okay, right!”

            “—in his hair? Okay, cool; I knew you knew me. I’m a memorable guy.”

            “Sure, but…”

“Anyway, I’m just calling because I was surprised. You know, that you skipped out. That you’re not here. Like, isn’t it kind of mandatory? You graduate, you sit around in your backyard with Grandpa Joe and Grandma Gert, eating sheet cake off those crappy little paper plates, everybody asking you, hey, what’s next, kid? Like you’re supposed to have everything figured out. And when they’ve all shuffled off to the old folks’ home and the bingo parlor and the cemetery, you head right back to the place you’ve just gotten finished with and they load EVERYBODY onto a bus and next thing you know, you’re on a boat, just circling the lake all night. And everybody’s loud and nostalgic and talking about how they can’t wait to leave and how much they’re going to miss everybody. And all the couples that never quite got around to being couples, well, they take their shot.”            

            “…”

            “Then they make everybody eat breakfast at four in the morning and watch a magician—because what do high school graduates love more than a fucking magician? And your parents pick you up and you sit there in the passenger seat all the way home, your head all bleary. Thinking, wow. It’s time for the rest of my life.”

            “Hold on. You’re on a boat?”

            “Yeah.”

            “Wait, really? They have a phone there?”

            “I mean, I’m practically on a boat. We’re at the dock and they’re taking forever to actually let anybody on. And there’s a payphone next to the bathrooms, so I decided I’d call you up, find out what was so fucking thrilling that you skipped all this.”

            “I mean, I’m watching TV.”

            “What? What are you watching?

            “Profiler.”

            “You skipped Project Graduation because you just couldn’t miss an episode of Profiler? Seriously?”

            “What? No! It’s just on!”

            “Damn. I didn’t even know Profiler HAD superfans.”

            “No, I skipped because who wants to be stuck on a boat for six hours with all your old high school classmates?”

            “Uh, well, all your old high school classmates, for starters.”

            “…”

            “Oh, I’m pulling your chain. I just thought, I don’t know, that you’d be here. That we’d get to talk a little. Figure out what each other’s deals were, right? And maybe…”

            “Yeah?”

            “…take our shot, you know? Find some hidden-away spot on the top deck or down where they keep the bus, sit next to each other. Talk. Tell each other about our childhoods and shit. And if things get quiet—but like the good kind of quiet—I thought maybe I’d tell you that you could touch the streak in my hair, find out how soft it is.”

            “Is it really soft?”

            “Dude, it’s just hair. It feels like hair. But you have to lean in nice and close to see it well, and once you were right in there, running your hand through my hair, it’d be no big thing to kiss you.”

            “Oh.”

            “Is that all you’re going to say? ‘Oh?’ Like I told you I just bought a dirtbike?”

            “I—”

            “Oh. Ben?”

            “Yeah?”

            “Are you touching yourself?”

            “…maybe.”

            “That’s so hot.”

            “Are… you?”

            “I’m on a payphone in the middle of the marina: of course I’m not touching myself!”

            “Sorry, that’s a stupid—”

            “But if I weren’t in the middle of the marina, you know I would be.”

            “Really?”

“Yeah, really. Jesus. You know how many quarters I’ve put in this fucking phone? It’s killing me that you’re not here.”

“Well…”

“Well what?”

“…what are you doing tomorrow?”

“Sleeping until like ten at night! I told you—they’re making us go see a fucking magician at 6 a.m.!”

“Okay, but after that. When you get up?”

“…I don’t know. What are you doing?”

###

            “Hello?”

            “I miss you.”

            “Oh, you just miss my cock.”

            “Well, sure—that, too.”

            “Knew it! But seriously: what’s up, kid? You all moved in?”

            “Yeah, pretty much. My folks are out trying to find a minifridge that’ll actually fit under this tiny desk, and I keep changing my mind about what poster gets the place of honor over my bed—”

            “Got to be the Bowie, right?”

            “I am leaning that way, yes.”

            “What about the roommate? Have you met him yet?”

            “Yes.”

            “…is he cute?”

“Yes. But it’s not like I’m looking.”

“Oh, when he’s changing in front of you, I bet you’ll be looking.”

“Theo! This isn’t a sorority movie, okay? He’s just some guy from Iowa. I’ve got you, he’s got some girl from his hometown who sewed him a quilt that’s all monogrammed with their initials and they’re planning to get married and have like 70 babies the moment he graduates. So whether or not I look at his dick, there’s nothing to worry about, okay?”

“…okay.”

“Come on, I’ve got everything I need with you.”

“I know.”

“What about you? What are you up to?”

“Up to? It’s like midnight here—I’m just about to brush up.”

“Right. Sorry, I keep forgetting about the time difference. But things are good at the sandwich shop?”

“They’re all right. My boss is still kind of being a bitch, though. Like, who knew that two-dollar bills were a real thing? It was an honest mistake!”

“…”

“Anyway, sorry to vent.”

“It’s fine! I asked!”

“Okay.”

“But the thing is, I kind of need to head out. They’re having, like, a welcome mixer for all the freshman and I feel like I should probably go.”

“…”

“But I’ll call you tomorrow!”

“Okay. Have fun.”

“Thanks, I’ll try! Sleep well, babe.”

“Well, I’ll try…”

###

“…yeah?”

“Hey, what’s going on?”

“What do you mean?”

“What do I mean? You haven’t called me in, like, eight days. Are you still coming?”

“Well…”

“Theo.”

“It’s just, the country’s so big. And you know I hate buses.”

“You were the one who wanted to take the bus! I offered to help pay for a flight!”

“Yeah, yeah, I remember. High-roller throwing around his work-study money. Thank god he’s there to help out his no-account boyfriend, who can’t even keep a job making fucking sandwiches! It’s a BLT; it’s not hard. Like, who can’t make a BLT? And it turns out the answer is: this guy.”

“Theo.”

“I’m sorry—I’m just a fucking mess right now, you know? Even if I could afford it, I’d be terrible company.”

“I don’t care; I really want to see you. I miss you.”

“I miss you, too, kid.”

###

“Hello?”

“…”

“Theo?”

“Look, this was never going to work, and I should have known it from the fucking start. We sit next to each other for a whole year, never say a goddamn word, and then, after one phone call, I suddenly think that I’m in love, that this is some swing-for-the-fences, long-haul kind of thing; like you can be a fuck-up for nineteen straight years and then just fall ass-backwards into something perfect—”

“Listen, Theo…”

“—but life’s not like that, not really. Looking back, I don’t even know how I ignored the central obvious problem here: you leaving. I mean, you were leaving from day one, moment one; you were leaving before we ever fucked or kissed or even spoke, and there was never anything I could have done about it, right? You had California in your eyes and that was all you could fucking see.”

“Theo, are you… high?”

“I’m fucking sick of it. You don’t love me—if you did, you never would have been able to leave. And if I really loved you, I never would have LET you leave. So this is really for the best, for both of us, whatever you might think. And I don’t know why I’m so concerned about your delicate fucking feelings, like it’s more important for me to be quiet and polite and thoughtful than to be real with you, like it’s not fucking suffocating to hold things in and in and in, until you feel like you’re going to goddamn explode, until there’s nothing left inside of you EXCEPT for all that stuff!”

“I never—”

“Yeah, that’s right! You NEVER let me be me, okay? You snuck me into your house like a secret, like somebody you were ashamed to be seen with—sure, you’re happy to take my cock in your ass, but god forbid you treat me like an actual boyfriend.”

“Theo, are you serious? I brought you to my mom’s birthday.”

“And look, I’ve got to go. My hands are, like, shaking, and my heart is beating and beating, and I think I’ve pretty much said everything that I had to say. So, goodbye.”

“Are you fucking kidding me? Goodbye? Just like that?”

“Just like that. Goodbye.”

###

            “Uh, hello? Who is this?

            “Hey there, stranger.”

            “…Theo?”

            “You got it, kid. Look, I know it’s been kind of a long time—”

            “It’s been a year.”

            “—but I don’t know, you’ve been on my mind a lot lately. And I was thinking, you know, what’s that crazy kid up to these days? So I thought I’d call, just to check in. Like, I know you’re probably still doing the college thing, living that California life. Acing tests and shit, the way you always used to, hanging poolside—”

            “You know I don’t know how to swim.”

            “Still? Man, you should get on that. Anyway, if I know you, you’re all amped up about studying abroad, trying to pick between Germany, because you got that family over there, and some place that’s new and exotic like Colombia or Thailand or some shit. And you’ve been thinking about me and how it all went down because you’re worrying about leaving your new guy back in Cali for six whole months—and you do have a new guy, right?”

            “Yes.”

            “And he’s that super-Christian guy who was going to have all those babies, right?”

            “…yes.”

            “And you’re kind of worried that while you’re off living it up in Bogota, he’s going to be babymaking with a bunch of other guys…”

            “Farley loves me; he wouldn’t do that.”

            “Farley? Dude, of course that’s his fucking name. You two probably spend your school breaks at his family’s rustic goddamn cabin in Idaho—”

            “Iowa.”

            “—just riding around on sailboats and making cocktails on the porch and, like, foxhunting, or whatever guys named Farley do in their spare fucking time.”

            “Why are you even calling?”

            “What, I can’t call? You’re too busy with Farley and his starched-collar family to talk to me for a few minutes?”

            “I was fucking worried about you, asshole! Your parents called me, said they couldn’t find you, didn’t know where you were. They thought you were dead! I thought you were dead! And now you just ring me up like nothing happened, like it’s no big deal, and you start giving me shit about my new boyfriend—who is a TOTAL sweetheart, by the way—like I’m the one who broke up with you. Like I’m the one who fucked somebody else when we were together…”

            “Kid, if you’d seen the ass on that guy, you would have done exactly the same thing.”

            “That’s bullshit, and you know—”

            “Okay, so maybe you wouldn’t have, but you would have fucking WANTED to.”

            “…Theo, where are you?”

            “Where do you think? Still back home. Chilling. You know, it’s pretty crazy to think that we’re talking right now like we’re sitting across from each other at that booth at Lucky’s, but really there’s, like, thousands of miles betwen us, all those cities and highways and mountains, the Mississippi, the Continental Divide, the Grand fucking Canyon, and the only thing tying all this together is a wire the size of, like, a shoelace that’s stretched the whole fucking way.”

            “Seriously, where are you? I can hear people shouting and… do your parents know that you’re okay?”

            “They know, all right? Don’t go pretending that you’re, like, some family friend who’s just concerned for my parents’ wellbeing. You’ve never even met them, all right? You’re not their son-in-law or something; you’re just somebody I used to fuck. And don’t forget that YOU were the one who used to beg for more, who used to cry because it was so good.”

            “…I loved you. You don’t need to piss all over that, okay?”

            “…”

            “…”

            “Hey, I’m sorry, kid. I was just pulling your chain a little. Talking about the past gets me all keyed up sometimes, but I didn’t mean to take it out on you. Anyway, I got to bounce. I’m almost out of phone time and they get real cranky here if you go over.”

            “They? Who’s ‘they,’ Theo? Where are you really?”

            “We’ll talk soon, kid. Promise.”

###

            “…hello?”

            “I know it’s been a while, and I haven’t been the most together, or the most open about what’s going on with me—”

            “Theo? Is that you?”

            “Listen, I’ve been going through a lot of shit, which we can talk about another time, but going through that shit made me realize some things. Like, I don’t have a lot of people I can talk to the way I can talk to you. And also that I was an ass to you—like, repeatedly. Constantly. And that you would have been well within your rights to just hang up on me, or refuse to take my calls…”

            “You always call from a blocked number!”

            “Just, just let me finish, all right? I’m trying to say that it means a lot. You’ve been real decent with me, and you didn’t have to do that. Any of that. You’re a good person, a kind person—I wish I knew how to be as good to me as you are. It used to kill me to sit in my shitty little room in my parents’ basement, thinking about you off in California, living it up in some beautiful fucking dorm with Spanish fucking tiles on the roof, but now it feels right. Like we’ve each gotten what we deserved. And maybe that’s okay. I don’t need the things you have, the life you live, and if anybody should be living it, it’s you.”

            “Theo…”

“Don’t think I ever stopped loving you, okay? Because I haven’t.”

“Theo, where are you?”

“Still with that guy?”

“No. Not for a while.”

“I’m downstairs. At the payphone by the front door.”

“…I’ll be right there.”

###


T.B. GRENNAN was born in Vermont, lives in Brooklyn, and once read the entirety of Shirley Hazzard’s The Transit of Venus while stuck on a delayed plane. His writing has appeared in The Indiana Review, The Seventh Wave, TIMBER, and Spaces We Have Known, an anthology of LGBT+ fiction. The initial drafts of Grennan’s piece, ‘Cross-Country,’ were written during his participation in New York’s Hypergraphic Writers Workshop.

Telling Mirrors hanging on Portraits

Artist Statement

Being a student of Ahmadu Bello University, Zaria, I find orphan boys— popularly referred to as Almajiris— roam the streets with plastic bowls seeking alms. It is a sight that always leaves me overwhelmed the extent to which empathy allows me. It is no news that Africa still struggles with hunger, malnutrition, child labour, disease, and many other ills that greatly affects the survival of its teeming young.

            It might interest you to know that this photo is— in some way— a self portrait. It is true that I have come to see the bodies of black boys as canvases on which to paint my current state of mind/reality, and also to share memories of my gloomy past. There’s the experiences of struggles with depression, misery, lack, neglect, pressure, hopelessness, and many more striking themes replete in my works.

            Below, you’ll find an image that is telling. Visual art that is pregnant with feeling, emotions. You’ll hear whispers that invite you to a sacred fellowship of experiences, as far as empathy allows you. This captures my heart cry for Africa/humanity to consider her own, & it is also subtle protest against societal norms that are unfair, unjust, & brutal. It gives voice, especially, to the boy child, who— in this part of the world— is being subjected into so much hardship only fair to a beast-of-burden.


‘Telling Mirrors hanging on Portraits,’ Digital Art, 2020

MARTINS DEEP is a Nigerian poet & photographer. He is passionate about documenting muffled stories of the African experience in his poetry & visual art. Writing from Kaduna, or whichever place he finds himself, the acrylic of inspiration that spills from his innermost being tends to paint various depictions of humanity/life in his environment. His creative works have appeared, or are forthcoming in Barren Magazine, Chestnut Review, Mineral Lit Mag, Agbowó Magazine, Writers Space Africa, Dream Glow, Suburban Review, Variant Literature, & elsewhere. He is also the brain behind Shotstoryz Photography and can be reached via Twitter: @martinsdeep1

Double Vision

Artist Statement

The overlapping segments and perspectives in this self-portrait depict the complexities of my identity; I cannot be summed up in a single phrase or idea, but am instead a multifaceted work in progress.


‘Double Vision,’ Digital Illustration, 2020

CARLY CHAN is an artist and designer based in the San Francisco Bay Area. Her work often revolves around her experiences and the cultures around her, culminating in art that seeks to express perspectives and aid local communities. Carly has been recognized by the National YoungArts Foundation, the U.S. Presidential Scholars Program, Anthropologie, and the Scholastic Art & Writing Awards. Some of her other work can be found online at carlychan.com.

Two Pieces

Artist Statement

Afloat on Antithesis is a take on representing the struggles of existing in our patriarchal societies (its not specific to women or those who identify as women, but we are more often the targets patriarchy). It describes that no matter what scars we carry, no matter if our hearts and minds and bodies are breaking into pieces, the world expects us to always be impeccable.

When I Met Emerson on the Other Side is psychedelic art, an effort to present a surreal dreamlike space inspired by various philosophies such as transcendentalism and bits of communism, feminism etc.



SHARON GAYEN, is a corporate drone by the day and an artist by the night. She is based out of Hyderabad and takes a keen interest in Pointillism, Kirie, Psychedelic, Doodling and has recently ventured into cyberpunk inspired art. She works with a variety of medium ranging from watercolors to charcoal, her favorite medium being ink on paper. Having spent a lot of her life by the sea, she draws inspiration from crashing waves and crustaceans. She loves translating her favorite pieces of literature into art. She is also fascinated by circles, triangles and trapezoids, often incorporating them into her work.

Fire Sign


When you ask me what I am afraid of
I hold out my hands.

You see, I am a body of cut lines
and gravel burn,

twice-read birthday cards, deleted emails,
gutter crawl.

I am unfiltered blood,
a collection of half-healed wounds,

a slick bathroom floor,
the predictable slipping hazard.

This body is taking up space;
it is guilt,

an empty womb that prompts your mouth,
a refusal that breeds the backhand,

a metal baseball bat hidden beneath the bed.
She is primed to crack bone,

is designed to dismember joints,
forged to wound.

This body is a dragging limb,
a nervous stagger,

dramatic slipped footing,
a body of impulse.

I am the burn of tobacco against a jacket lapel,
the smell of lampblack

and crows’ nests,
the poem I never wrote you,

a heart line fading
from the skin.


JESSICA SABO is a poet and former ballerina whose work focuses on the intersection of eating disorders and trauma. Her poems have appeared in Anti-Heroin Chic, Rogue Agent Journal, and Coffin Bell Journal, among others. Jessica’s work has been anthologized with ChannelMarker Literary Journal and Adelaide Literary Magazine, and is forthcoming with Damaged Goods Press. In 2020, Jessica was named a finalist for the Adelaide Literary Award in Poetry and was a semi-finalist for a Brooklyn Poets Fellowship. She currently lives in Orlando with her wife and two senior rescue dogs.

The Massive Delayed Violence of Learning Just How Silent Your History Is


—after ‘Canto XIV’ by Robert Rauschenberg

You can try to brush the fire away,

but it’s no use when your hands

are blood and the blood

is gasoline. You grew up

confident; it was only when

your eyes sprouted that you started

to stumble. You grew up unaware

of the desolate field,

littered with black forms like tissue paper,

although it’s surrounded you

all your life. Your blindness

was an accessory, kissed

by street parades and cinema love.

Once you glimpsed the field, you could not return

to those safer places without seeing

yellow stalks bursting up through

dancers’ sneakers, staining those tongues

with pinpricks of red. Or desire

like the burning

bush the grass is watered with,

or musculature waiting, like wheat,

to be blighted.

You grew up unaware

that you live in an inverted forest of headstones,

and once you learned, they became

permanently saturated. You grew up

thinking the worst river

you could cross was the one you

cross alone, but it is so much

worse to wade through

the body of boiling blood

with others by your side,

loving and wasting and melting into the current.

You will never stop seeing your companions

evaporating from bar corners

and wingback chairs,

you will never forget the field

and its growth

and the way it contaminates

every small thing.

You wonder how you could ignore

a space so substantial,

but you know that you grew up blind

because nobody could explain

the vastness of the field

or the way your heart would break

finding empty footprints

in the soil.


RYAN E MOORE is a poet and writer, as well as a student at the Davidson Academy in Reno, Nevada. When not writing, they enjoy trying new foods and spending time with their dog, Libby. Their work has previously appeared in the Body Without Organs journal.